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On the recommendation of French Minister of Culture Roselyne Bachelot-Narquin, the French President has decided to appoint Guillaume Désanges as Director of the Palais de Tokyo
Guillaume Désanges (born 1971) is a Paris-based curator and art critic. He founded Work Method – an independent agency for curatorial projects – and organises exhibition projects and lectures throughout the globe. He was named artistic director of the Salon de Montrouge in 2021.
Between 2001 and 2007, he coordinated the artistic projects of the Laboratoires d’Aubervilliers – an independent contemporary art and creation space located in the suburbs of Paris. He was a member of the editorial board of Trouble Magazine, and furthermore collaborated with the Exit Express and Exit Book magazines (Madrid), and in the past he has taught classes at the School of Fine Arts of Paris-Cergy, the University Paris 1 Panthéon-Sorbonne and at the Lyon School of Fine Arts. He also conceived and curated La Méthode Room, a residency program in Chicago.
He developed several original projects (including the project 24h Foucault organised with Swiss artist Thomas Hirschhorn, at the Palais de Tokyo in 2004, as well as Childs Play at Iasi, Romania; Seoul, South Korea; Stockholm, Sweden; Amsterdam, Netherlands; New York, USA; Toronto, Canada, 2008-2010) and performed conferences which have toured internationally (A History of Performance in 20 minutes, The Dark Side of the Form, Signs and Wonders, Vox Artisti – its master’s voices, Art = an History of Violence) and curated several international exhibitions in France and abroad. He was a guest curator at the Plateau-FRAC Ile-de-France between 2009 and 2011, where he curated the program Erudition Concrète. He was the artistic director of La Verrière, the Fondation d’entreprise Hermès’ exhibition space, located in Brussels, since 2013.
The many exhibitions curated by Désanges in France and internationally include L’Ennemi de mon ennemi, conceived with French artist Neïl Beloufa at Palais de Tokyo in 2018, as well as, among others:
Lucy McKenzie, Buildings in Belgium, Buildings in Oil, Buildings in Silk, (La Verrière, Fondation d’entreprise Hermès, Brussels, 2022) ; Majd Abdel Hamid, A Stitch in Times (La Verrière, 2021) ; Danse et Rituel (Centre National de la Danse, Pantin, France, 2021) ; mountaincutters, Les Indices de la respiration primitive (La Verrière, 2021) ; Gianni Pettena, Forgiven by nature (La Verrière – Fondation d’entreprise Hermès / ISELP, Brussels, 2021) ; Barbara Chase-Riboud, Avatars, (La Verrière, 2020) ; Chroniques de l’invisible (Le Grand Café – Centre d’art contemporain de Saint-Nazaire, 2020) ; Ismaïl Bahri, Invisible Concern (Le Forum, Tokyo, 2019-2020) ; cycle MATTERS OF CONCERN / MATIÈRES À PANSER, (La Verrière, 2019-2022) ;) ; L’esprit français, Contre-cultures, 1969-1989 with François Piron(La maison rouge – Fondation Antoine de Galbert, Paris, 2017) ; cycle Ballistic Poetry (La Verrière, 2016-2019) ; Ma’aminim (the believers) (tranzitdisplay, Prague, 2015) ; Curated Session #1 : The Dora Garcia files (Perez Art Museum, Miami, 2014) ; cycle Gestures of the Mind (La Verrière, 2013-2016) ; A Universal Exhibition (documentary section) with Michel François (8th Biennale of Contemporary Art, Louvain-la-Neuve, Belgium, 2013) ; Amazing! Clever! Linguistic! An Adventure in Conceptual Art (Generali Foundation, Vienna, Austria, 2013); Wander (Labyrinthine Variations) with Hélène Guenin, Centre Pompidou-Metz, 2011 ;2001-2011 : Suddenly, Yet (Soudain, déjà ) (Ensba, Paris, 2011-2012) ; Escape Plans with Michel François (SMAK, Ghent, 2009-2010) ; Untouchable with François Piron (Villa Arson, Nice, 2006 and Museo Patio Herreriano, Valladolid, 2007) ; Pick-Up (Public, Paris, 2004) and Stuk (Leuven, Belgium, 2008).
the recommendation of French Minister of Culture Roselyne Bachelot-Narquin, the French President has decided to appoint Guillaume Désanges as Director of the Palais de Tokyo
Guillaume Désanges (born 1971) is a Paris-based curator and art critic. He founded Work Method – an independent agency for curatorial projects – and organises exhibition projects and lectures throughout the globe. He was named artistic director of the Salon de Montrouge in 2021.
- Roma – Vittoriano: tornano a splendere il pennone di Gaetano Vannicola, con la sua aquila monumentale, e la Vittoria alata di Edoardo Rubino nell’ambito del grande progetto di restauro promosso dal VIVE
- Tante incongruenze esaminando verbali e interrogatori dell’epoca 113 anni fa il furto della Gioconda e oggi al Louvre potrebbe esserci un falso.
- POMPEI INCANTA MADONNA L’artista finanzia “Sogno di volare”, il progetto teatrale degli adolescenti del territorio
- Nel Bosco vecchio della Reggia di Caserta la “Venere che si pettina” torna al suo candore.
- Il teatro antico di Neapolis si apre alla citta – video
Between 2001 and 2007, he coordinated the artistic projects of the Laboratoires d’Aubervilliers – an independent contemporary art and creation space located in the suburbs of Paris. He was a member of the editorial board of Trouble Magazine, and furthermore collaborated with the Exit Express and Exit Book magazines (Madrid), and in the past he has taught classes at the School of Fine Arts of Paris-Cergy, the University Paris 1 Panthéon-Sorbonne and at the Lyon School of Fine Arts. He also conceived and curated La Méthode Room, a residency program in Chicago.
He developed several original projects (including the project 24h Foucault organised with Swiss artist Thomas Hirschhorn, at the Palais de Tokyo in 2004, as well as Childs Play at Iasi, Romania; Seoul, South Korea; Stockholm, Sweden; Amsterdam, Netherlands; New York, USA; Toronto, Canada, 2008-2010) and performed conferences which have toured internationally (A History of Performance in 20 minutes, The Dark Side of the Form, Signs and Wonders, Vox Artisti – its master’s voices, Art = an History of Violence) and curated several international exhibitions in France and abroad. He was a guest curator at the Plateau-FRAC Ile-de-France between 2009 and 2011, where he curated the program Erudition Concrète. He was the artistic director of La Verrière, the Fondation d’entreprise Hermès’ exhibition space, located in Brussels, since 2013.
The many exhibitions curated by Désanges in France and internationally include L’Ennemi de mon ennemi, conceived with French artist Neïl Beloufa at Palais de Tokyo in 2018, as well as, among others:
Lucy McKenzie, Buildings in Belgium, Buildings in Oil, Buildings in Silk, (La Verrière, Fondation d’entreprise Hermès, Brussels, 2022) ; Majd Abdel Hamid, A Stitch in Times (La Verrière, 2021) ; Danse et Rituel (Centre National de la Danse, Pantin, France, 2021) ; mountaincutters, Les Indices de la respiration primitive (La Verrière, 2021) ; Gianni Pettena, Forgiven by nature (La Verrière – Fondation d’entreprise Hermès / ISELP, Brussels, 2021) ; Barbara Chase-Riboud, Avatars, (La Verrière, 2020) ; Chroniques de l’invisible (Le Grand Café – Centre d’art contemporain de Saint-Nazaire, 2020) ; Ismaïl Bahri, Invisible Concern (Le Forum, Tokyo, 2019-2020) ; cycle MATTERS OF CONCERN / MATIÈRES À PANSER, (La Verrière, 2019-2022) ;) ; L’esprit français, Contre-cultures, 1969-1989 with François Piron(La maison rouge – Fondation Antoine de Galbert, Paris, 2017) ; cycle Ballistic Poetry (La Verrière, 2016-2019) ; Ma’aminim (the believers) (tranzitdisplay, Prague, 2015) ; Curated Session #1 : The Dora Garcia files (Perez Art Museum, Miami, 2014) ; cycle Gestures of the Mind (La Verrière, 2013-2016) ; A Universal Exhibition (documentary section) with Michel François (8th Biennale of Contemporary Art, Louvain-la-Neuve, Belgium, 2013) ; Amazing! Clever! Linguistic! An Adventure in Conceptual Art (Generali Foundation, Vienna, Austria, 2013); Wander (Labyrinthine Variations) with Hélène Guenin, Centre Pompidou-Metz, 2011 ;2001-2011 : Suddenly, Yet (Soudain, déjà ) (Ensba, Paris, 2011-2012) ; Escape Plans with Michel François (SMAK, Ghent, 2009-2010) ; Untouchable with François Piron (Villa Arson, Nice, 2006 and Museo Patio Herreriano, Valladolid, 2007) ; Pick-Up (Public, Paris, 2004) and Stuk (Leuven, Belgium, 2008).
- Roma – Vittoriano: tornano a splendere il pennone di Gaetano Vannicola, con la sua aquila monumentale, e la Vittoria alata di Edoardo Rubino nell’ambito del grande progetto di restauro promosso dal VIVE
- Tante incongruenze esaminando verbali e interrogatori dell’epoca 113 anni fa il furto della Gioconda e oggi al Louvre potrebbe esserci un falso.
- POMPEI INCANTA MADONNA L’artista finanzia “Sogno di volare”, il progetto teatrale degli adolescenti del territorio
- Nel Bosco vecchio della Reggia di Caserta la “Venere che si pettina” torna al suo candore.
- Il teatro antico di Neapolis si apre alla citta – video